Some works of art reveal their content easily. Others challenge the viewer, and sometimes also the artist, to the point of resisting explanation. This is not a popular approach these days, in a context where easy artistic legibility is promoted by some, populistically, as a necessary condition for democratizing the arts, and artistic opacity dismissed... Continue Reading →
Petrona Morrison – New Works
The acclaimed Jamaican multi-media artist Petrona Morrison will be having a solo exhibition, entitled New Works, which opens at 10A West King’s House Road, on Saturday, September 14. Petrona Morrison holds a BA (Fine Arts) from McMaster University and an MFA from Howard University. She has exhibited locally and internationally, in exhibitions such as the... Continue Reading →
Parochialism or Inclusiveness? The Inaugural NGJ Summer Exhibition – Part II
Katrina Coombs - Golden Flow This is part two of a two-part post. The first part can be found here. Taking a closer look at the NGJ Summer Exhibition reveals a few pleasant surprises but also pulls the exhibition’s weaknesses and failings into sharper perspective. Perhaps the most outstanding work in the exhibition is Lucille... Continue Reading →
Parochialism or Inclusiveness? The Inaugural NGJ Summer Exhibition – Part I
This is the first of a two-part post on the National Gallery of Jamaica Summer Exhibition. Part 2, which takes a closer look at the exhibition itself, can be found here. Having worked in curatorial positions in a museum context, at the National Gallery of Jamaica (NGJ), for the better part of my thirty-five years... Continue Reading →
From the Archives: David Pottinger (1911-2007)
While I work on some other projects (about which more soon), here is another short excerpt from my doctoral dissertation, “Between Nation and Market: Art and Society in Twentieth Century Jamaica” (Emory, 2011) – (C) Veerle Poupeye, all rights reserved. Unlike [Albert] Huie, David Pottinger’s talent was entirely homegrown: he attended Edna Manley’s free art... Continue Reading →
From the Archives: Ken Abendana Spencer (1929-2005)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011), which is taken from a section which explores how artists in Jamaica have marketed their work - (C) Veerle Poupeye, all rights reserved. The post is not illustrated, as I was unable to get... Continue Reading →