Veerle Poupeye's blog about art in the Caribbean and beyond
These days, I go to the National Gallery of Jamaica (NGJ) when there are public events and as a result, I visit only very rarely. I actually visited twice since the start of the year, very briefly for the opening of the Art of Reggae exhibition on February 19, and for a longer visit two... Continue Reading →
At the opening of the Jamaica Jamaica! exhibition in February 2022 This post was initially published in two parts in the Monitor Tribune of January 15 and 22, 2023. It is published here with a few minor changes. Internationally, 2022 has been a fantastic year for the artists of the Global Caribbean, with an unprecedented... Continue Reading →
Detail of a work by Patrick Villaire at his studio (photo: Veerle Poupeye) This post was first published in the Jamaica Monitor of February 6, 2022. It is now reproduced here with a few updates and corrections. The occasion for my trip to Haiti, which ended on February 4, was my role in the Caribbean... Continue Reading →
Pascale Monnin - Chuchotements, 2014, collection: the Artist This commentary, on the recently closed Vives Exhibition, was first published in the Jamaica Monitor of January 30, 2022. During my stay here in Haiti, I have had the opportunity to share a house, and to work and exchange thoughts with two highly accomplished women in the... Continue Reading →
The Centre d'Art building in the 1950s or early 60s. It was destroyed in the 2010 earthquake (photo: courtesy of Le Centre d'Art). This article was first published, in two parts, by the Jamaica Monitor on September 19 and 26, 2021. It is posted here with some minor modifications. Le Centre d’Art is among the... Continue Reading →
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