Detail of a work by Patrick Villaire at his studio (photo: Veerle Poupeye) This post was first published in the Jamaica Monitor of February 6, 2022. It is now reproduced here with a few updates and corrections. The occasion for my trip to Haiti, which ended on February 4, was my role in the Caribbean... Continue Reading →
Letter from Haiti: The Vives Exhibition at the Maison Dufort
Pascale Monnin - Chuchotements, 2014, collection: the Artist This commentary, on the recently closed Vives Exhibition, was first published in the Jamaica Monitor of January 30, 2022. During my stay here in Haiti, I have had the opportunity to share a house, and to work and exchange thoughts with two highly accomplished women in the... Continue Reading →
Letter from Haiti: Gingerbread Houses and Soupe Joumou
The recently restored Maison Chenet (photo: Veerle Poupeye) This post was originally published in the Jamaica Monitor of January 16, 2022. The original full version of the article is reproduced here. As I write this column, I am nearly halfway through my five-week stay in the country, to work on a project for Le Centre... Continue Reading →
Bewigged – Greg Bailey’s Post-colonial Paraphernalia
Greg Bailey - Lady Locks (2021) I am privileged to have been invited to curate the debut solo exhibition of the Jamaican artist Greg Bailey is entitled Post-Colonial Paraphernalia. The exhibition explores the lingering effects of colonial symbols and and features ten new oil paintings and one drawing. The exhibition is on view at Creativ... Continue Reading →
Le Centre d’Art in Port-au-Prince, Haiti
The Centre d'Art building in the 1950s or early 60s. It was destroyed in the 2010 earthquake (photo: courtesy of Le Centre d'Art). This article was first published, in two parts, by the Jamaica Monitor on September 19 and 26, 2021. It is posted here with some minor modifications. Le Centre d’Art is among the... Continue Reading →
Memoirs: William “Woody” Joseph (1919-1998)
This article was first published in the Jamaica Monitor of October 3, 2021. William “Woody” Joseph – Angel, c1990, private collection (photo: Veerle Poupeye) When I first met the self-taught Jamaican wood-sculptor William Joseph in the mid-1980s, he was living in a bamboo shack near the river in Stony Hill. Woody, as he was affectionately... Continue Reading →