As one who writes about art for a living, it is important for me to be aware of the rapidly changing cultural, political and technological context in which I operate. Perhaps the most transformative development of our times is the advent of artificial intelligence (AI), which is a source of great anxiety and controversy, but... Continue Reading →
A Book and a Monument, “Lest We Forget”
Detail of Lest We Forget (Photo: Veerle Poupeye) On February 27, I attended the unveiling of the Lest We Forget monument at the Joy Spence Appleton Rum Experience in Nassau Valley, St Elizabeth. The monument, which commemorates the persons who were enslaved at Appleton, was designed and executed by a young Jamaican sculptor, Trishaunna Henry,... Continue Reading →
Hybridization at CreativSpace
Katrina Coombs with Stefan Clark – Complicated Encounters (Photo: Veerle Poupeye) Hybridization, which opened on February 12, is the inaugural exhibition at CreativSpace’s new location in downtown Kingston, on the corner of Laws street and Mark Lane, just off Parade. CreativSpace, an exhibition and work space for creatives which is available for rental, was previously... Continue Reading →
The Art of Reggae Exhibition at the National Gallery of Jamaica
Visitors at the Art of Reggae exhibition opening, February 19, 2023. Pat Chin, of VP records, is the third person from right. (Photo: Veerle Poupeye) This post was published in its original form in the Monitor Tribune of February 26 and March 5, 2023. Part 1 The Art of Reggae exhibition, which features the top... Continue Reading →
Provocations: The NGJ As a Politicized Venue?
I had initially posted this to my Facebook timeline yesterday, where an interesting discussion ensued. Given the import of the matter, I am reposting it here in this more permanent forum. I was just at the National Gallery of Jamaica for a panel discussion related to the current Reggae Poster exhibition. If I counted correctly... Continue Reading →
The Art Year in Review – Governance and Leadership in the Public Cultural Sector
At the CAG[e] gallery, circa 2008, Edna Manley College (Photo: Veerle Poupeye) In this second installment of my critical reflections on developments in the art world in 2022, I continue to focus on critical issues of governance, leadership and performance in the public cultural sector. At the core of this is the relentless politicization, in... Continue Reading →