Greg Bailey - Lady Locks (2021) I am privileged to have been invited to curate the debut solo exhibition of the Jamaican artist Greg Bailey is entitled Post-Colonial Paraphernalia. The exhibition explores the lingering effects of colonial symbols and and features ten new oil paintings and one drawing. The exhibition is on view at Creativ... Continue Reading →
Philip Wickstead – Portrait of Benjamin and Mary Pusey (c1775)
Philip Wickstead – Portrait of Benjamin and Mary Pusey, c1775, National Gallery of Jamaica (photo: Veerle Poupeye) An earlier version of this article was published in the Jamaica Monitor of September 5, 2021 This week, I start a new series in which I explore and contextualize famous and less well-known works of Jamaican art. The... Continue Reading →
Creative Iconoclasm: What To Do With Those Colonial Monuments? – Part 2
This is the second part of a two-part post. Part 1 can be found here. The Caribbean is replete with statues that represent similar ideas about White Supremacy and Colonialism. Some of these statues date from the Plantation era but others, such as the Columbus Lighthouse in Santo Domingo, which was unveiled in 1992, are... Continue Reading →
Creative Iconoclasm: What To Do With Those Colonial Monuments? – Part 1
This is the first of the two-part post. Part 2, which can be found here, examines the implications for the Caribbean. As an art historian and curator, I am supposed to be beholden to the preservation of art and my response to any incident whereby an art work is deliberately damaged or destroyed is expected... Continue Reading →
Follow up: My April 24, 2018 Letter to Kei Miller
Two years ago, on April 28, 2018, I posted to this blog an open letter to Kei Miller (it is linked here for easy reference). The letter was written as my critical response to an essay by Kei, "The White Women and the Language of Bees", which had been published a few days earlier in... Continue Reading →
From the Archives: Osmond Watson (1934-2005)
While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →