I have not posted as often as I'd like recently, even though I have several new posts working on, as I have been bogged down with project and publication deadlines (and a nasty bout of flu) - not complaining about anything, except for the latter. So instead of a new post, I am presenting another... Continue Reading →
Notes on Jamaica’s Art Histories # 2: African-Derived Sculpture from the Colonial Period
My previous post in this series, which can be read here, was aimed at rekindling the critical discussion on Jamaica's art histories. As I argued then, the problematic of Jamaica’s main art historical narrative cannot be addressed by merely identifying and correcting the obvious gaps and oversights, or simply updating it to the present day... Continue Reading →
The Mat-Making Tradition of Sane Mae Dunkley
Sane Mae “Mama Lane” Dunkley, who passed away unexpectedly just before the end of 2017, was a significant culture bearer from Jamaica. Of rural origins from St Elizabeth but based in Jones Town, Kingston for most of her adult life, she was part of an extended family in which popular textile and fibre traditions had... Continue Reading →