While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →
From the Archives: David Pottinger (1911-2007)
While I work on some other projects (about which more soon), here is another short excerpt from my doctoral dissertation, “Between Nation and Market: Art and Society in Twentieth Century Jamaica” (Emory, 2011) – (C) Veerle Poupeye, all rights reserved. Unlike [Albert] Huie, David Pottinger’s talent was entirely homegrown: he attended Edna Manley’s free art... Continue Reading →
From the Archives: Ken Abendana Spencer (1929-2005)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011), which is taken from a section which explores how artists in Jamaica have marketed their work - (C) Veerle Poupeye, all rights reserved. The post is not illustrated, as I was unable to get... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 2
Here is part two of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part one can be found here. (c) Veerle Poupeye, al rights reserved Partha Chatterjee has pointed out that the challenge facing anticolonial cultural... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 1
While I work on some urgent publication deadlines and some new blog posts (and mark papers!), here is another text from my personal archives: the first of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part... Continue Reading →
From the Archives: “Big Bamboo” and the Politics of Space in Fern Gully
Here is a second excerpt, on a more controversial subject and with some minor edits, from my chapter on art and tourism in my doctoral dissertation "Between Nation and Market: Art and Society in 20th Century Jamaica" (2011, Emory University). The first post can be found here. I have not been back to Fern... Continue Reading →