Veerle Poupeye's blog about art in the Caribbean and beyond
Dumain Bent - Hell is Other People (2020), Mixed media installation, size irregular, c 9 x 5' Below is my foreword for the exhibition Panopticon: Standing in the Pandemic, which was curated by the students in my Introduction to Curatorial Studies course at the Edna Manley College. The exhibition is on view until May 10... Continue Reading →
Here is the second part of my extended conversation with the Jamaican painter Phillip Thomas (part I can be found here), in which he talks about his work and issues and interests that have influenced him, and on which he has strong and at times very provocative views. It is long but well worth reading... Continue Reading →
This is the first part of an extended conversation with the Jamaican painter Phillip Thomas. Part two can be found here.Phillip Thomas was born in 1980, in Kingston, Jamaica. He holds a BFA in Painting in 2003 from the Edna Manley College of the Visual and Performing Arts and an MFA from the New York... Continue Reading →
Visitors to art exhibitions usually get to see finished art works and usually have only a limited sense of the process involved in the production of art, in terms of the development of concept, theme, technique and style that goes into the production of a single work of art, and into the development of an... Continue Reading →
While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →
Some works of art reveal their content easily. Others challenge the viewer, and sometimes also the artist, to the point of resisting explanation. This is not a popular approach these days, in a context where easy artistic legibility is promoted by some, populistically, as a necessary condition for democratizing the arts, and artistic opacity dismissed... Continue Reading →
