Installation view, Jahmani Council (photographed by Robert Ayre, courtesy of the EMC) This post was first published in the Monitor Tribune (then the Jamaica Monitor) in two parts, on August 21 and August 28, 2022. It is reproduced here with minor changes and more images. Every year in June, the School of Visual Arts (SVA)... Continue Reading →
Laura Facey’s “Laboratory of the Ticking Heart” and Ormsby Hall
Laura Facey's Three Graces at Ormsby Hall (Photo: Veerle Poupeye) This review was first published, in two parts, in the Jamaica Monitor (now the Monitor Tribune) of June 28 and 4, 2022. It is reproduced here with more photos and a few minor changes. Part 1: The Exhibition Laura Facey’s latest solo exhibition, The Laboratory... Continue Reading →
Nadine Hall’s Reclamation and Remembering
This review was originally published in the Jamaica Monitor, now Monitor Tribune, of July 17, 2022. It is reproduced here without changes but with more images. All photos are details of the installation, photographed by me during my visit. A few weeks ago, while on a layover in Miami, I had the opportunity to view... Continue Reading →
Letter from Haiti: Cross-Residencies and Cultural Institutions
Detail of a work by Patrick Villaire at his studio (photo: Veerle Poupeye) This post was first published in the Jamaica Monitor of February 6, 2022. It is now reproduced here with a few updates and corrections. The occasion for my trip to Haiti, which ended on February 4, was my role in the Caribbean... Continue Reading →
Bewigged – Greg Bailey’s Post-colonial Paraphernalia
Greg Bailey - Lady Locks (2021) I am privileged to have been invited to curate the debut solo exhibition of the Jamaican artist Greg Bailey is entitled Post-Colonial Paraphernalia. The exhibition explores the lingering effects of colonial symbols and and features ten new oil paintings and one drawing. The exhibition is on view at Creativ... Continue Reading →
Memoirs: William “Woody” Joseph (1919-1998)
This article was first published in the Jamaica Monitor of October 3, 2021. William “Woody” Joseph – Angel, c1990, private collection (photo: Veerle Poupeye) When I first met the self-taught Jamaican wood-sculptor William Joseph in the mid-1980s, he was living in a bamboo shack near the river in Stony Hill. Woody, as he was affectionately... Continue Reading →