Review: “Undeterred”

Hoween Griffiths - Black (installation view), mixed media installation (Photo: courtesy of the Edna Manley College) The title of this year’s final year exhibition at the School of Visual Arts of the Edna Manley College is Undeterred. The titling of this exhibition is always instructive as it is invariably a sign of the times. The... Continue Reading →

Narrative Evolutions?

Installation view of Narrative Evolutions exhibition, National Gallery of Jamaica, It appears that my April 23, 2023 column [in the Monitor Tribune], What About the Summer Exhibition?, helped to stir some action on the part of the National Gallery of Jamaica (NGJ). On May 9, it published a set of flyers on social media, in... Continue Reading →

What Can Online Exhibitions Do?

Detail of landing page, Rupture: Interventions of Possibility Recently, a new, online exhibition of work by Jamaican artists was launched, under the title Rupture: Interventions of Possibility. It features work by Katrina Coombs, Zachary Fabri, Timothy Yanick Hunter, Zinzi Minott, Oneika Russell, and Soshanna Weinberger, and it was curated by Gervais Marsh, an art writer... Continue Reading →

The Future Files: Brad Pinnock

Brad Pinnock - Stupid Box, 2022, video installation, at New Local Space, Kingston This new series puts the spotlight on the exciting young artists who have emerged in Jamaica in recent years, many of them as graduates of the Edna Manley College. The features will be based on studio visits (virtual and actual) and interviews,... Continue Reading →

What about the Summer Exhibition?

These days, I go to the National Gallery of Jamaica (NGJ) when there are public events and as a result, I visit only very rarely. I have actually visited twice since the start of the year, very briefly for the opening of the Art of Reggae exhibition on February 19, and for a longer visit... Continue Reading →

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