Greg Bailey - Lady Locks (2021) I am privileged to have been invited to curate the debut solo exhibition of the Jamaican artist Greg Bailey is entitled Post-Colonial Paraphernalia. The exhibition explores the lingering effects of colonial symbols and and features ten new oil paintings and one drawing. The exhibition is on view at Creativ... Continue Reading →
Memoirs: William “Woody” Joseph (1919-1998)
This article was first published in the Jamaica Monitor of October 3, 2021. William “Woody” Joseph – Angel, c1990, private collection (photo: Veerle Poupeye) When I first met the self-taught Jamaican wood-sculptor William Joseph in the mid-1980s, he was living in a bamboo shack near the river in Stony Hill. Woody, as he was affectionately... Continue Reading →
Review: The 2020 Edna Manley College Fine Arts Graduates
Rohmearo McFarlane, Independent Study, 2020, mixed media installation This article was originally published in the Jamaica Monitor, in two parts, on May 30 and June 6, 2021, respectively. More images have been added. All photographs are by Joni Gordon, courtesy of the Edna Manley College. Part I The year 2020 was a challenging year for... Continue Reading →
Review: And I Resumed the Struggle
Greg Bailey – Mushroom Clouds (2020), oil on canvas, 71 x 88” (photo: Veerle Poupeye) This article was originally published in the Jamaica Monitor of May 23, 2021. More images have been added. On December 10, 2020, I attended an exhibition opening, my first since our first Covid-19 lockdown started. The occasion was And I... Continue Reading →
Provocations: Navigating The Creative Industries
This is the first of a new series of shorter critical interventions on salient issues. The posts will pose questions, rather than to attempt to provide answers, and they are meant to be conversation starters, and comments are welcomed, as usual. There have been a lot of conversations here in the Caribbean, of late, on... Continue Reading →
Caribbean Conversations: Phillip Thomas – Part II
Here is the second part of my extended conversation with the Jamaican painter Phillip Thomas (part I can be found here), in which he talks about his work and issues and interests that have influenced him, and on which he has strong and at times very provocative views. It is long but well worth reading... Continue Reading →