The Brewsters, 1956, Kitty, Georgetown Here is the first part of a two part conversation with Errol Ross Brewster. Part II can be found here. Errol Brewster is a Caribbean artist from Guyana, living in the United States. With more than four decades of a Caribbean-wide, multimedia imaging practice, he has participated in multiple CARIFESTA’s;... Continue Reading →
Errol Ross Brewster – “Beware the Promise Today”
I am very pleased to be able to publish this photo essay by Errol Ross Brewster, as a first post on his work. It will be followed by a two-part interview with him (click here for part I). “BEWARE THE PROMISE TODAY” is a photo essay about the demise in Guyana, in the early 1970s,... Continue Reading →
From the Archives: Osmond Watson (1934-2005)
While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →
From the Archives: Ken Abendana Spencer (1929-2005)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011), which is taken from a section which explores how artists in Jamaica have marketed their work - (C) Veerle Poupeye, all rights reserved. The post is not illustrated, as I was unable to get... Continue Reading →
From the Archives: Eugene Hyde (1931-1980)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. The Independence Generation The years around Independence were, as the artist and critic Gloria Escoffery (1986) has argued, characterized by a combination of great ambitions and sometimes... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 2
Here is part two of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part one can be found here. (c) Veerle Poupeye, al rights reserved Partha Chatterjee has pointed out that the challenge facing anticolonial cultural... Continue Reading →