Veerle Poupeye's blog about art in the Caribbean and beyond
Work by Alexander "Bamboo King" Dempster in foreground, with exhibition sign by Kemel Leeford Rankine in the background Ania Freer describes herself as "an Australian/Jamaican filmmaker and creative story-teller." She operates and curates an online gallery and Instagram platform, Goat Curry Gallery, which features work by the Jamaican craft producers she works with as well... Continue Reading →
Errol Ross Brewster - Stop Death from Malnutrition (1984) Here is part II of my conversation with Errol Ross Brewster. Part I can be found here. Veerle Poupeye:- You were born and raised at a time when Guyana was entering a period of political and ideological radicalism, which significantly impacted the course of the country... Continue Reading →
The Brewsters, 1956, Kitty, Georgetown Here is the first part of a two part conversation with Errol Ross Brewster. Part II can be found here. Errol Brewster is a Caribbean artist from Guyana, living in the United States. With more than four decades of a Caribbean-wide, multimedia imaging practice, he has participated in multiple CARIFESTA’s;... Continue Reading →
I am very pleased to be able to publish this photo essay by Errol Ross Brewster, as a first post on his work. It will be followed by a two-part interview with him (click here for part I). “BEWARE THE PROMISE TODAY” is a photo essay about the demise in Guyana, in the early 1970s,... Continue Reading →
While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →
Some works of art reveal their content easily. Others challenge the viewer, and sometimes also the artist, to the point of resisting explanation. This is not a popular approach these days, in a context where easy artistic legibility is promoted by some, populistically, as a necessary condition for democratizing the arts, and artistic opacity dismissed... Continue Reading →
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