This is the first part of an extended conversation with the Jamaican painter Phillip Thomas. Part two can be found here. Veerle Poupeye: How do you situate and define yourself as an artist, in the contemporary Jamaican and Caribbean context? Is that, in fact, the context in which you situate and define yourself and, if... Continue Reading →
Caribbean Conversations – Errol Ross Brewster – Part II
Errol Ross Brewster - Stop Death from Malnutrition (1984) Here is part II of my conversation with Errol Ross Brewster. Part I can be found here. Veerle Poupeye:- You were born and raised at a time when Guyana was entering a period of political and ideological radicalism, which significantly impacted the course of the country... Continue Reading →
From the Archives: David Pottinger (1911-2007)
While I work on some other projects (about which more soon), here is another short excerpt from my doctoral dissertation, “Between Nation and Market: Art and Society in Twentieth Century Jamaica” (Emory, 2011) – (C) Veerle Poupeye, all rights reserved. Unlike [Albert] Huie, David Pottinger’s talent was entirely homegrown: he attended Edna Manley’s free art... Continue Reading →
From the Archives: Ken Abendana Spencer (1929-2005)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011), which is taken from a section which explores how artists in Jamaica have marketed their work - (C) Veerle Poupeye, all rights reserved. The post is not illustrated, as I was unable to get... Continue Reading →
From the Archives: Eugene Hyde (1931-1980)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. The Independence Generation The years around Independence were, as the artist and critic Gloria Escoffery (1986) has argued, characterized by a combination of great ambitions and sometimes... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 2
Here is part two of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part one can be found here. (c) Veerle Poupeye, al rights reserved Partha Chatterjee has pointed out that the challenge facing anticolonial cultural... Continue Reading →