Veerle Poupeye's blog about art in the Caribbean and beyond
Errol Ross Brewster - Stop Death from Malnutrition (1984) Here is part II of my conversation with Errol Ross Brewster. Part I can be found here. Veerle Poupeye:- You were born and raised at a time when Guyana was entering a period of political and ideological radicalism, which significantly impacted the course of the country... Continue Reading →
The Brewsters, 1956, Kitty, Georgetown Here is the first part of a two part conversation with Errol Ross Brewster. Part II can be found here. Errol Brewster is a Caribbean artist from Guyana, living in the United States. With more than four decades of a Caribbean-wide, multimedia imaging practice, he has participated in multiple CARIFESTA’s;... Continue Reading →
I am very pleased to be able to publish this photo essay by Errol Ross Brewster, as a first post on his work. It will be followed by a two-part interview with him (click here for part I). “BEWARE THE PROMISE TODAY” is a photo essay about the demise in Guyana, in the early 1970s,... Continue Reading →
It's a well-known dilemma: the support of the State is almost always needed to establish and maintain cultural institutions, irrespective of whether these are part of the public sector or privately initiated, and of whether they are publicly funded, in full or in part, or merely get in-principle support and blessings. In Jamaica, public cultural... Continue Reading →
Katrina Coombs - Golden Flow This is part two of a two-part post. The first part can be found here. Taking a closer look at the NGJ Summer Exhibition reveals a few pleasant surprises but also pulls the exhibition’s weaknesses and failings into sharper perspective. Perhaps the most outstanding work in the exhibition is Lucille... Continue Reading →
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. The Independence Generation The years around Independence were, as the artist and critic Gloria Escoffery (1986) has argued, characterized by a combination of great ambitions and sometimes... Continue Reading →
Perspectives 