Veerle Poupeye's blog about art in the Caribbean and beyond
Devon House in 2011 (photograph: Veerle Poupeye, all rights reserved) The National Gallery of Jamaica is turning 50 this year and this article, the first in a series on the subject, reflects on the different moments, personalities and discussions that have defined its history. It is a history of which I have been a part,... Continue Reading →
View of the mixed media installation Overlapping (2024) by Raúl Morilla at the National Gallery of Jamaica (photograph courtesy of Antwain Clarke) Public art museums are expected to operate with a healthy degree of curatorial autonomy, whereby the professionals at the institution are allowed to make decisions about the institution’s exhibitions, collections, and programmes, without... Continue Reading →
Brad Pinnock - Stupid Box, 2022, video installation, at New Local Space, Kingston This new series puts the spotlight on the exciting young artists who have emerged in Jamaica in recent years, many of them as graduates of the Edna Manley College. The features will be based on studio visits (virtual and actual) and interviews,... Continue Reading →
I had initially posted this to my Facebook timeline yesterday, where an interesting discussion ensued. Given the import of the matter, I am reposting it here in this more permanent forum. I was just at the National Gallery of Jamaica for a panel discussion related to the current Reggae Poster exhibition. If I counted correctly... Continue Reading →
At the CAG[e] gallery, circa 2008, Edna Manley College (Photo: Veerle Poupeye) In this second installment of my critical reflections on developments in the art world in 2022, I continue to focus on critical issues of governance, leadership and performance in the public cultural sector. At the core of this is the relentless politicization, in... Continue Reading →
At the opening of the Jamaica Jamaica! exhibition in February 2022 This post was initially published in two parts in the Monitor Tribune of January 15 and 22, 2023. It is published here with a few minor changes. Internationally, 2022 has been a fantastic year for the artists of the Global Caribbean, with an unprecedented... Continue Reading →
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