Veerle Poupeye's blog about art in the Caribbean and beyond
The self-taught artist Everald Brown with the author in 1987, in the Kapo Gallery at the National Gallery. Part of Kapo's head (and turban) can be seen to the right Why is it that locally directed and published art criticism has all but disappeared in Jamaica? I am talking mainly about newspaper criticism, which was... Continue Reading →
At the opening of the Jamaica, Jamaica exhibition "The National Gallery nah keep again?", said one artist scathingly; another quipped if "the National Gallery had been postponed?"; and yet another marveled at how a postponement announcement could also be a museum's first public announcement about a particular exhibition. They were all responding to the National... Continue Reading →
Ernesto Gilbert - Columbus (1887), Columbus Park, Santo Domingo (Photo: Veerle Poupeye, all righs reserved) This post is extracted from an ongoing and as yet incomplete research project on monuments and statues in the Caribbean. There is hardly an island in the Caribbean that does not have a Columbus monument and some have more than... Continue Reading →
Art museums have, for quite some time now, been under intense critical scrutiny over the ideological content of their exhibitions and programmes, and over how they relate to audiences, in terms of who they speak to and for. More recently, the critical gaze has shifted, initially to museum boards, and the socio-economic and political interests... Continue Reading →
This post is adapted from the paper I have recently presented at the "Regional Workshop on the Conventions on the Illicit trafficking of Cultural Objects", which was hosted by the Jamaican Ministry of Culture, Gender, Entertainment and Sport. This workshop was held at the Jamaica Pegasus, from March 2-5, 2020. Among the topics for discussion... Continue Reading →
Some time in late 2018, the National Gallery of Jamaica decided to cancel the Jamaica Biennial, of which two editions had been held, in 2014 and 2017. The Jamaica Biennial was the re-conceptualized successor to the National Biennial and, before that, the Annual National Exhibitions. While still hamstrung by the expectations and entitlements that had... Continue Reading →
Perspectives 