Greg Bailey - Lady Locks (2021) I am privileged to have been invited to curate the debut solo exhibition of the Jamaican artist Greg Bailey is entitled Post-Colonial Paraphernalia. The exhibition explores the lingering effects of colonial symbols and and features ten new oil paintings and one drawing. The exhibition is on view at Creativ... Continue Reading →
Philip Wickstead – Portrait of Benjamin and Mary Pusey (c1775)
Philip Wickstead – Portrait of Benjamin and Mary Pusey, c1775, National Gallery of Jamaica (photo: Veerle Poupeye) An earlier version of this article was published in the Jamaica Monitor of September 5, 2021 This week, I start a new series in which I explore and contextualize famous and less well-known works of Jamaican art. The... Continue Reading →
Creative Iconoclasm: What To Do With Those Colonial Monuments? – Part 2
This is the second part of a two-part post. Part 1 can be found here. The Caribbean is replete with statues that represent similar ideas about White Supremacy and Colonialism. Some of these statues date from the Plantation era but others, such as the Columbus Lighthouse in Santo Domingo, which was unveiled in 1992, are... Continue Reading →
Creative Iconoclasm: What To Do With Those Colonial Monuments? – Part 1
This is the first of the two-part post. Part 2, which can be found here, examines the implications for the Caribbean. As an art historian and curator, I am supposed to be beholden to the preservation of art and my response to any incident whereby an art work is deliberately damaged or destroyed is expected... Continue Reading →
Caribbean Conversations: Phillip Thomas – Part II
Here is the second part of my extended conversation with the Jamaican painter Phillip Thomas (part I can be found here), in which he talks about his work and issues and interests that have influenced him, and on which he has strong and at times very provocative views. It is long but well worth reading... Continue Reading →
Caribbean Conversations: Phillip Thomas – Part I
This is the first part of an extended conversation with the Jamaican painter Phillip Thomas. Part two can be found here. Veerle Poupeye: How do you situate and define yourself as an artist, in the contemporary Jamaican and Caribbean context? Is that, in fact, the context in which you situate and define yourself and, if... Continue Reading →