Veerle Poupeye's blog about art in the Caribbean and beyond
I am very pleased to be able to publish this photo essay by Errol Ross Brewster, as a first post on his work. It will be followed by a two-part interview with him (click here for part I). “BEWARE THE PROMISE TODAY” is a photo essay about the demise in Guyana, in the early 1970s,... Continue Reading →
While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →
Some works of art reveal their content easily. Others challenge the viewer, and sometimes also the artist, to the point of resisting explanation. This is not a popular approach these days, in a context where easy artistic legibility is promoted by some, populistically, as a necessary condition for democratizing the arts, and artistic opacity dismissed... Continue Reading →
The acclaimed Jamaican multi-media artist Petrona Morrison will be having a solo exhibition, entitled New Works, which opens at 10A West King’s House Road, on Saturday, September 14. Petrona Morrison holds a BA (Fine Arts) from McMaster University and an MFA from Howard University. She has exhibited locally and internationally, in exhibitions such as the... Continue Reading →
While I work on some other projects (about which more soon), here is another short excerpt from my doctoral dissertation, “Between Nation and Market: Art and Society in Twentieth Century Jamaica” (Emory, 2011) – (C) Veerle Poupeye, all rights reserved. Unlike [Albert] Huie, David Pottinger’s talent was entirely homegrown: he attended Edna Manley’s free art... Continue Reading →
This essay was written as a commission by Le Centre d'Art for the catalogue of the exhibition by the Haitian artist Tessa Mars titled "île Modèle-Manman Zile-Island Template", at the Maison Dufort in Port-au-Prince, May 31-June 29, 2019. It was translated into French for the catalogue. The original English version is posted here, with permission... Continue Reading →
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