Shanique Stewart - Jamaica Is Not a Real Place, Water Lane. Sponsored by TEF and Sherwin Williams. This article was originally published in the Jamaica Monitor on 4 and 11, 2021 and is now posted as it was submitted, with images added. All photos are by Stuart Reeves, courtesy of Doris Gross, Kingston Creative. Part I... Continue Reading →
Review: the Atlantic World Art Fair
Abigail Hadeed,Still Life | Still Lives – Not so Enchanted_The Ghost Ship, 2020, Digital Photography, 41.3 × 43.8 cm, Edition 3/5. Photo courtesy of Sour Grass and the Atlantic World Art Fair This article was originally published in the Jamaica Monitor in two parts, on June 13 and 20, 2021. It is posted here as... Continue Reading →
Review: And I Resumed the Struggle
Greg Bailey – Mushroom Clouds (2020), oil on canvas, 71 x 88” (photo: Veerle Poupeye) This article was originally published in the Jamaica Monitor of May 23, 2021. More images have been added. On December 10, 2020, I attended an exhibition opening, my first since our first Covid-19 lockdown started. The occasion was And I... Continue Reading →
Preserving Jamaica’s Artistic Heritage
This post is adapted from the paper I have recently presented at the "Regional Workshop on the Conventions on the Illicit trafficking of Cultural Objects", which was hosted by the Jamaican Ministry of Culture, Gender, Entertainment and Sport. This workshop was held at the Jamaica Pegasus, from March 2-5, 2020. Among the topics for discussion... Continue Reading →
Creative Iconoclasm: What To Do With Those Colonial Monuments? – Part 2
This is the second part of a two-part post. Part 1 can be found here. The Caribbean is replete with statues that represent similar ideas about White Supremacy and Colonialism. Some of these statues date from the Plantation era but others, such as the Columbus Lighthouse in Santo Domingo, which was unveiled in 1992, are... Continue Reading →
Creative Iconoclasm: What To Do With Those Colonial Monuments? – Part 1
This is the first of the two-part post. Part 2, which can be found here, examines the implications for the Caribbean. As an art historian and curator, I am supposed to be beholden to the preservation of art and my response to any incident whereby an art work is deliberately damaged or destroyed is expected... Continue Reading →