This essay was written as a commission by Le Centre d'Art for the catalogue of the exhibition by the Haitian artist Tessa Mars titled "île Modèle-Manman Zile-Island Template", at the Maison Dufort in Port-au-Prince, May 31-June 29, 2019. It was translated into French for the catalogue. The original English version is posted here, with permission... Continue Reading →
From the Archives: Ken Abendana Spencer (1929-2005)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011), which is taken from a section which explores how artists in Jamaica have marketed their work - (C) Veerle Poupeye, all rights reserved. The post is not illustrated, as I was unable to get... Continue Reading →
From the Archives: Eugene Hyde (1931-1980)
Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. The Independence Generation The years around Independence were, as the artist and critic Gloria Escoffery (1986) has argued, characterized by a combination of great ambitions and sometimes... Continue Reading →
“As I Am”: Kimani Beckford’s Affirmations
The young Jamaican painter Kimani Beckford currently has a solo-exhibition tour project, titled Affirmation. The exhibition is shown at two venues: its inaugural display was held at the Jamaica Conference Centre in Kingston, in space that is used for art exhibitions by the Jamaica Cultural Development Commission (JCDC), and has now closed. The second leg... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 2
Here is part two of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part one can be found here. (c) Veerle Poupeye, al rights reserved Partha Chatterjee has pointed out that the challenge facing anticolonial cultural... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 1
While I work on some urgent publication deadlines and some new blog posts (and mark papers!), here is another text from my personal archives: the first of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part... Continue Reading →