Detail of Lest We Forget (Photo: Veerle Poupeye) On February 27, I attended the unveiling of the Lest We Forget monument at the Joy Spence Appleton Rum Experience in Nassau Valley, St Elizabeth. The monument, which commemorates the persons who were enslaved at Appleton, was designed and executed by a young Jamaican sculptor, Trishaunna Henry,... Continue Reading →
Notes on Jamaica’s Art Histories # 2: African-Derived Sculpture from the Colonial Period
My previous post in this series, which can be read here, was aimed at rekindling the critical discussion on Jamaica's art histories. As I argued then, the problematic of Jamaica’s main art historical narrative cannot be addressed by merely identifying and correcting the obvious gaps and oversights, or simply updating it to the present day... Continue Reading →