The “Venue-ization” of the National Gallery of Jamaica

View of the mixed media installation Overlapping (2024) by Raúl Morilla at the National Gallery of Jamaica (photograph courtesy of Antwain Clarke) Public art museums are expected to operate with a healthy degree of curatorial autonomy, whereby the professionals at the institution are allowed to make decisions about the institution’s exhibitions, collections, and programmes, without... Continue Reading →

Narrative Evolutions?

Installation view of Narrative Evolutions exhibition, National Gallery of Jamaica, It appears that my April 23, 2023 column [in the Monitor Tribune], What About the Summer Exhibition?, helped to stir some action on the part of the National Gallery of Jamaica (NGJ). On May 9, it published a set of flyers on social media, in... Continue Reading →

What about the Summer Exhibition?

These days, I go to the National Gallery of Jamaica (NGJ) when there are public events and as a result, I visit only very rarely. I have actually visited twice since the start of the year, very briefly for the opening of the Art of Reggae exhibition on February 19, and for a longer visit... Continue Reading →

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