It appears that sometime in June this year, there were two major staff appointments at the National Gallery of Jamaica (NGJ): O'Neil Lawrence, who previously served as Senior Curator, was promoted to Chief Curator, and Dr Jonathan Greenland, who had been acting as Executive Director since shortly after I left, became Senior Director. This first... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 1
While I work on some urgent publication deadlines and some new blog posts (and mark papers!), here is another text from my personal archives: the first of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part... Continue Reading →
The Wheels of History: Museums, Restitution and the Caribbean – Part 2
This is the second of a two-part post on the restitution debate and its significance to the Caribbean. The first part explores the general context and this second part explores the implications for the Caribbean. The Caribbean was one of the first world areas to be colonized by Europe, and was completely transformed in the... Continue Reading →
The Wheels of History: Museums, Restitution and the Caribbean – Part 1
This is the first of a two-part post on the restitution debate and its significance to the Caribbean. This first part explores the general context and the second part specifically looks at the Caribbean. It is a time of reckoning for museums: museums are increasingly pressured to come to terms with their historical origins,... Continue Reading →
The Elephant in the Museum
Late last month, on December 28 to be precise, I visited what is now branded as the AfricaMuseum in Tervuren, a suburb of Brussels. My visit, during a family vacation to Belgium, came just a few weeks after the museum had reopened, after being closed for about five years for extensive renovations. The 86 million... Continue Reading →
Too Close for Comfort
I have a bee in my bonnet. And I have been writing about it here and there on social media, as those who follow me on Facebook will have noticed. It is about the incestuousness, the cliquishness, and the endemic conflict of interest issues that plague the Caribbean art world. Issues that are, if they... Continue Reading →