This is the second of a three-part post. Part I can be found here and part III is forthcoming. In 1961, the then young politician Edward Seaga delivered his seminal speech "The Haves and the Have Nots" in the Jamaican Upper House. Irrespective of how we may feel about the ideological and political path Seaga... Continue Reading →
“It’s All Broken” – or, Why the Imagination Needs to Rule
"It's all broken," the child said to his mother. And right he was, as there is very little that remains intact and functional at the once bustling Kingston railway terminus on Pechon Street in downtown Kingston. The occasion was a recent guided tour, facilitated by Kingston Creative, and guided by the Jamaican architect Patrick Stanigar.... Continue Reading →
Caribbean Conversations: Phillip Thomas – Part I
This is the first part of an extended conversation with the Jamaican painter Phillip Thomas. Part two can be found here. Veerle Poupeye: How do you situate and define yourself as an artist, in the contemporary Jamaican and Caribbean context? Is that, in fact, the context in which you situate and define yourself and, if... Continue Reading →
[un]finished (December 20-22, 2019)
Visitors to art exhibitions usually get to see finished art works and usually have only a limited sense of the process involved in the production of art, in terms of the development of concept, theme, technique and style that goes into the production of a single work of art, and into the development of an... Continue Reading →
From the Archives: Osmond Watson (1934-2005)
While I work on several new blog posts, here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. Osmond Watson was one of the key artists of the post-independence period in Jamaica. The painter and sculptor Osmond... Continue Reading →
Parochialism or Inclusiveness? The Inaugural NGJ Summer Exhibition – Part II
Katrina Coombs - Golden Flow This is part two of a two-part post. The first part can be found here. Taking a closer look at the NGJ Summer Exhibition reveals a few pleasant surprises but also pulls the exhibition’s weaknesses and failings into sharper perspective. Perhaps the most outstanding work in the exhibition is Lucille... Continue Reading →