Veerle Poupeye's blog about art in the Caribbean and beyond
Work by Alexander "Bamboo King" Dempster in foreground, with exhibition sign by Kemel Leeford Rankine in the background Ania Freer describes herself as "an Australian/Jamaican filmmaker and creative story-teller." She operates and curates an online gallery and Instagram platform, Goat Curry Gallery, which features work by the Jamaican craft producers she works with as well... Continue Reading →
The acclaimed Jamaican multi-media artist Petrona Morrison will be having a solo exhibition, entitled New Works, which opens at 10A West King’s House Road, on Saturday, September 14. Petrona Morrison holds a BA (Fine Arts) from McMaster University and an MFA from Howard University. She has exhibited locally and internationally, in exhibitions such as the... Continue Reading →
It appears that sometime in June this year, there were two major staff appointments at the National Gallery of Jamaica (NGJ): O'Neil Lawrence, who previously served as Senior Curator, was promoted to Chief Curator, and Dr Jonathan Greenland, who had been acting as Executive Director since shortly after I left, became Senior Director. This first... Continue Reading →
Katrina Coombs - Golden Flow This is part two of a two-part post. The first part can be found here. Taking a closer look at the NGJ Summer Exhibition reveals a few pleasant surprises but also pulls the exhibition’s weaknesses and failings into sharper perspective. Perhaps the most outstanding work in the exhibition is Lucille... Continue Reading →
This is the first of a two-part post on the National Gallery of Jamaica Summer Exhibition. Part 2, which takes a closer look at the exhibition itself, can be found here. Having worked in curatorial positions in a museum context, at the National Gallery of Jamaica (NGJ), for the better part of my thirty-five years... Continue Reading →
While I work on some other projects (about which more soon), here is another short excerpt from my doctoral dissertation, “Between Nation and Market: Art and Society in Twentieth Century Jamaica” (Emory, 2011) – (C) Veerle Poupeye, all rights reserved. Unlike [Albert] Huie, David Pottinger’s talent was entirely homegrown: he attended Edna Manley’s free art... Continue Reading →
Perspectives 