While I work on some urgent publication deadlines and some new blog posts (and mark papers!), here is another text from my personal archives: the first of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part... Continue Reading →
Notes on Jamaica’s Art Histories #3: Intuitive Art as a Canon, Redux
As I continue my reflections on Jamaica's art histories, I am now sharing some of my thoughts on the Intuitive art designation, which has been an essential but problematic and controversial part of Jamaica's main art-historical narration. Earlier versions of this essay, which was itself extracted from my doctoral dissertation in progress (Emory, 2011 -... Continue Reading →
The Wheels of History: Museums, Restitution and the Caribbean – Part 2
This is the second of a two-part post on the restitution debate and its significance to the Caribbean. The first part explores the general context and this second part explores the implications for the Caribbean. The Caribbean was one of the first world areas to be colonized by Europe, and was completely transformed in the... Continue Reading →
In the Trenches: On Being the Subject of Hostile Art Works
There is a long and not always auspicious history of artists using their work to retaliate against critics and other personal enemies. One famous example is the King Minos figure in Michelangelo's Last Judgement (1535-1541) fresco in the Sistine Chapel, which was very controversial at the time of its creation (and on several occasions after),... Continue Reading →
Notes on Jamaica’s Art Histories # 2: African-Derived Sculpture from the Colonial Period
My previous post in this series, which can be read here, was aimed at rekindling the critical discussion on Jamaica's art histories. As I argued then, the problematic of Jamaica’s main art historical narrative cannot be addressed by merely identifying and correcting the obvious gaps and oversights, or simply updating it to the present day... Continue Reading →
Notes on Jamaica’s Art Histories # 1: Critiquing the Main Narrative
Jamaica's art histories have been on my mind recently, as part of broader considerations about the art histories of the Global Caribbean. Most of the recent art-historical work in and about Jamaica (and the broader Caribbean) has consisted of reflecting on but, ultimately, rehashing what was already done with very little new primary research or... Continue Reading →