Here is another excerpt from my doctoral dissertation, "Between Nation and Market: Art and Society in Twentieth Century Jamaica" (Emory, 2011) - (C) Veerle Poupeye, all rights reserved. The Independence Generation The years around Independence were, as the artist and critic Gloria Escoffery (1986) has argued, characterized by a combination of great ambitions and sometimes... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 2
Here is part two of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part one can be found here. (c) Veerle Poupeye, al rights reserved Partha Chatterjee has pointed out that the challenge facing anticolonial cultural... Continue Reading →
From the Archives: Ideas about Art and Postcolonial Society – Part 1
While I work on some urgent publication deadlines and some new blog posts (and mark papers!), here is another text from my personal archives: the first of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part... Continue Reading →
The Wheels of History: Museums, Restitution and the Caribbean – Part 1
This is the first of a two-part post on the restitution debate and its significance to the Caribbean. This first part explores the general context and the second part specifically looks at the Caribbean. It is a time of reckoning for museums: museums are increasingly pressured to come to terms with their historical origins,... Continue Reading →
Taming the Lion? A Few Thoughts on the International Reggae Poster Contest
The International Reggae Poster Contest, which was launched in 2011, was the brainchild of the Jamaican poster artist and designer Michael Thompson “Freestylee”. His vision was quite specific and went beyond his obvious desire to celebrate the international cultural impact of reggae through a poster competition. He saw it as a platform to promote the... Continue Reading →
From the Archives: “Big Bamboo” and the Politics of Space in Fern Gully
Here is a second excerpt, on a more controversial subject and with some minor edits, from my chapter on art and tourism in my doctoral dissertation "Between Nation and Market: Art and Society in 20th Century Jamaica" (2011, Emory University). The first post can be found here. I have not been back to Fern... Continue Reading →