Veerle Poupeye's blog about art in the Caribbean and beyond
The International Reggae Poster Contest, which was launched in 2011, was the brainchild of the Jamaican poster artist and designer Michael Thompson “Freestylee”. His vision was quite specific and went beyond his obvious desire to celebrate the international cultural impact of reggae through a poster competition. He saw it as a platform to promote the... Continue Reading →
This is the second part of a two-part blog post. The first part can be read here. How can [art] participate in networks of power that its content willfully rejects? Often, so-called ‘political art’ simply aestheticises protest or resistance. Sometimes, it has the effect of moral licensing – instilling in its viewer a false sense... Continue Reading →
Last month, I had the opportunity to travel to New York City for a few days. I arrived in the city on the day of the Women’s March, January 20, too late to see anything, let alone to participate in the march, but still early enough to have to get out of my taxi to... Continue Reading →
Perspectives 