Veerle Poupeye's blog about art in the Caribbean and beyond
Memoirs of public figures, written by family members or (former) friends, are often as revealing about the person who wrote the memoir as about the purported subject. Or, to put it differently, such memoirs are really about the relationship between the subject and the writer. Paul Theroux’s Sir Vidia’s Shadow: A Friendship Across Five Continents... Continue Reading →
Giovanni Marrozzini - President and Secretary of a New Farmers’ Cooperative Created with Microcredit, Abam village, Cameroon, 2010 For some years now, a remarkable black and white photograph of two older black women, dressed in work clothes and each brandishing a machete, while holding hands, has been circulating on social media. That the women are... Continue Reading →
While I work on some urgent publication deadlines and some new blog posts (and mark papers!), here is another text from my personal archives: the first of a two-part excerpt from my PhD dissertation "Between National and Market: Art and Society in 20th Century Jamaica" (Emory University, 2011). The excerpt is from the Introduction. Part... Continue Reading →
Late last month, on December 28 to be precise, I visited what is now branded as the AfricaMuseum in Tervuren, a suburb of Brussels. My visit, during a family vacation to Belgium, came just a few weeks after the museum had reopened, after being closed for about five years for extensive renovations. The 86 million... Continue Reading →
My previous post in this series, which can be read here, was aimed at rekindling the critical discussion on Jamaica's art histories. As I argued then, the problematic of Jamaica’s main art historical narrative cannot be addressed by merely identifying and correcting the obvious gaps and oversights, or simply updating it to the present day... Continue Reading →
Perspectives 