Pascale Monnin - Chuchotements, 2014, collection: the Artist This commentary, on the recently closed Vives Exhibition, was first published in the Jamaica Monitor of January 30, 2022. During my stay here in Haiti, I have had the opportunity to share a house, and to work and exchange thoughts with two highly accomplished women in the... Continue Reading →
Talking Back: Visual Conversations about Sexual Abuse
The Edna Manley College, where I teach, has been in the news recently with allegations of sexual harassment. Here is not the place to comment on that particular instance but it is widely recognized that it is part of a much bigger problem in Jamaica, that affects many, if not all public and private sector... Continue Reading →
Riddles of Identity: Tessa Mars in Context
This essay was written as a commission by Le Centre d'Art for the catalogue of the exhibition by the Haitian artist Tessa Mars titled "île Modèle-Manman Zile-Island Template", at the Maison Dufort in Port-au-Prince, May 31-June 29, 2019. It was translated into French for the catalogue. The original English version is posted here, with permission... Continue Reading →
When It Turns Out That Your Great-Great-Grandmother Was, Sort of, a Museum Curator
A few days ago, I published a post about some aspects of my family history, based on family photos I found, as a tribute to my mother who passed away recently. It can be read here. One of the questions I raised was how the personalities and life choices of our ancestors are. consciously or... Continue Reading →
Roaming Photographically through my Family History
My mother, Maria Roose, passed away recently, on July 22, 2018. Since my father's death in 1989, she had lived alone in our hometown of Bruges, Belgium, surrounded by a mix of family heirlooms and newer things, and she lived an active and fiercely independent life, driving until very recently. We are still in shock... Continue Reading →
Letter to Kei Miller
Update May 14, 2018: This letter responded to the essay “The White Women and the Language of Bees” by Kei Miller, as originally published on the PREE website. This essay was removed from PREE, in the heat of the controversy it generated and at the author's request. It was on May 3 replaced by a ... Continue Reading →