This is a sad moment in Jamaica's cultural and artistic history. I understand that the house of David Boxer, the late art historian, artist and collector, is slated for demolition, to make way for what will probably be another run-of-the-mill apartment complex, of which Kingston hardly needs any more. For those who did not know... Continue Reading →
The Wheels of History: Museums, Restitution and the Caribbean – Part 2
This is the second of a two-part post on the restitution debate and its significance to the Caribbean. The first part explores the general context and this second part explores the implications for the Caribbean. The Caribbean was one of the first world areas to be colonized by Europe, and was completely transformed in the... Continue Reading →
In the Trenches: On Being the Subject of Hostile Art Works
There is a long and not always auspicious history of artists using their work to retaliate against critics and other personal enemies. One famous example is the King Minos figure in Michelangelo's Last Judgement (1535-1541) fresco in the Sistine Chapel, which was very controversial at the time of its creation (and on several occasions after),... Continue Reading →
From the Archives: “Big Bamboo” and the Politics of Space in Fern Gully
Here is a second excerpt, on a more controversial subject and with some minor edits, from my chapter on art and tourism in my doctoral dissertation "Between Nation and Market: Art and Society in 20th Century Jamaica" (2011, Emory University). The first post can be found here. I have not been back to Fern... Continue Reading →
From the Archives: Dangerously Close to Tourist Art
I have not posted as often as I'd like recently, even though I have several new posts working on, as I have been bogged down with project and publication deadlines (and a nasty bout of flu) - not complaining about anything, except for the latter. So instead of a new post, I am presenting another... Continue Reading →
Notes on Jamaica’s Art Histories # 2: African-Derived Sculpture from the Colonial Period
My previous post in this series, which can be read here, was aimed at rekindling the critical discussion on Jamaica's art histories. As I argued then, the problematic of Jamaica’s main art historical narrative cannot be addressed by merely identifying and correcting the obvious gaps and oversights, or simply updating it to the present day... Continue Reading →