The “Venue-ization” of the National Gallery of Jamaica

View of the mixed media installation Overlapping (2024) by Raúl Morilla at the National Gallery of Jamaica (photograph courtesy of Antwain Clarke) Public art museums are expected to operate with a healthy degree of curatorial autonomy, whereby the professionals at the institution are allowed to make decisions about the institution’s exhibitions, collections, and programmes, without... Continue Reading →

Review: “Undeterred”

Hoween Griffiths - Black (installation view), mixed media installation (Photo: courtesy of the Edna Manley College) The title of this year’s final year exhibition at the School of Visual Arts of the Edna Manley College is Undeterred. The titling of this exhibition is always instructive as it is invariably a sign of the times. The... Continue Reading →

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