.Préfète Dufaut – The Magician, mid-1960s, oil on masonite, Albert Albrecht collection, Tampa Museum of Art (photo: Veerle Poupeye) I recently had the opportunity to visit the Tampa Museum of Art for the Reframing Haitian Art symposium, held there on June 9. The symposium, who brought together some of the key promotors, conservators and researchers... Continue Reading →
The “Venue-ization” of the National Gallery of Jamaica
View of the mixed media installation Overlapping (2024) by Raúl Morilla at the National Gallery of Jamaica (photograph courtesy of Antwain Clarke) Public art museums are expected to operate with a healthy degree of curatorial autonomy, whereby the professionals at the institution are allowed to make decisions about the institution’s exhibitions, collections, and programmes, without... Continue Reading →
Travel Report: Revisiting Ensor and Belgium’s Art Museums – Part 1
James Ensor – The Intrigue (1890), Collection: Royal Museum of Fine Arts Antwerp On a recent visit to Belgium, I visited several art museums: the Groeninge, Old St Jan, Folklore and Lace Centrum museums in Bruges; the Mu.ZEE in Oostende; the Royal Museum of Fine Arts in Antwerp; and the Magritte Museum and the Royal... Continue Reading →
Some Reflections on The Face of Us and the National Gallery of Jamaica’s Exhibition Programme
Oliver Myrie - Facing Us, 2023, acrylic on canvas, 162 x 145 cm (Image Courtesy of the National Gallery of Jamaica) When The Face of Us was announced by the National Gallery of Jamaica as an upcoming juried exhibition, mid last year, I was admittedly skeptical. The recent curatorial debacles of the populist, dramatically uneven... Continue Reading →
81° West: Cartographic Explorations in Contemporary Caymanian Art
Installation view of 81° West (with work by, left to right, John Reno Jackson, Linda McCann and Bendel Hydes, and, in front, Davin Ebanks) This article originally appeared in two parts in the Monitor Tribune. Part 1 Recently, I travelled to the Cayman Islands for several professional projects. One of these was the exhibition 81°... Continue Reading →
Review: “Undeterred”
Hoween Griffiths - Black (installation view), mixed media installation (Photo: courtesy of the Edna Manley College) The title of this year’s final year exhibition at the School of Visual Arts of the Edna Manley College is Undeterred. The titling of this exhibition is always instructive as it is invariably a sign of the times. The... Continue Reading →