This is the first part of an extended conversation with the Jamaican painter Phillip Thomas. Part two can be found here. Veerle Poupeye: How do you situate and define yourself as an artist, in the contemporary Jamaican and Caribbean context? Is that, in fact, the context in which you situate and define yourself and, if... Continue Reading →
[un]finished (December 20-22, 2019)
Visitors to art exhibitions usually get to see finished art works and usually have only a limited sense of the process involved in the production of art, in terms of the development of concept, theme, technique and style that goes into the production of a single work of art, and into the development of an... Continue Reading →
Throwing Words at the Status Quo
Waldane Walker, 2019 Valedictorian, Edna Manley College One night, an evil spirit held me downI could not make one single soundJah told me, 'Son, use the word'And now I'm as free as a bird- Peter Tosh - Oh B@&#o k$&%t (1981) Every culture, and every language has its expletives and some are, well, more potent... Continue Reading →
Talking Back: Visual Conversations about Sexual Abuse
The Edna Manley College, where I teach, has been in the news recently with allegations of sexual harassment. Here is not the place to comment on that particular instance but it is widely recognized that it is part of a much bigger problem in Jamaica, that affects many, if not all public and private sector... Continue Reading →
The School of Visual Arts/EMC Final Year Exhibition: Six Highlights
I always look forward to the annual final year exhibition of the School of Visual Arts of the Edna Manley College and the opening is usually a much-anticipated, well-attended local art world event. It is, by and large, in this exhibition that we see the future of art in Jamaica (and the broader Caribbean) emerging... Continue Reading →