The “Venue-ization” of the National Gallery of Jamaica

View of the mixed media installation Overlapping (2024) by Raúl Morilla at the National Gallery of Jamaica (photograph courtesy of Antwain Clarke) Public art museums are expected to operate with a healthy degree of curatorial autonomy, whereby the professionals at the institution are allowed to make decisions about the institution’s exhibitions, collections, and programmes, without... Continue Reading →

About That Devon House Courtyard Debacle

The renovated courtyard at Devon House, as photographed by the author on December 29, 2022 This post was originally published in the Monitor Tribune on January 1 and 8, 2023. It is reproduced here with a few minor changes. There has been intense outrage on social media recently since the Devon House courtyard reopened, after... Continue Reading →

Preserving Jamaica’s Artistic Heritage

This post is adapted from the paper I have recently presented at the "Regional Workshop on the Conventions on the Illicit trafficking of Cultural Objects", which was hosted by the Jamaican Ministry of Culture, Gender, Entertainment and Sport. This workshop was held at the Jamaica Pegasus, from March 2-5, 2020. Among the topics for discussion... Continue Reading →

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