The International Reggae Poster Contest, which was launched in 2011, was the brainchild of the Jamaican poster artist and designer Michael Thompson “Freestylee”. His vision was quite specific and went beyond his obvious desire to celebrate the international cultural impact of reggae through a poster competition. He saw it as a platform to promote the... Continue Reading →
From the Archives: “Big Bamboo” and the Politics of Space in Fern Gully
Here is a second excerpt, on a more controversial subject and with some minor edits, from my chapter on art and tourism in my doctoral dissertation "Between Nation and Market: Art and Society in 20th Century Jamaica" (2011, Emory University). The first post can be found here. I have not been back to Fern... Continue Reading →
From the Archives: Dangerously Close to Tourist Art
I have not posted as often as I'd like recently, even though I have several new posts working on, as I have been bogged down with project and publication deadlines (and a nasty bout of flu) - not complaining about anything, except for the latter. So instead of a new post, I am presenting another... Continue Reading →